FIRST-YEAR

I structured my investigations and projects around a series of questions, which may lead to a possible theme of fragmentation and scale.

OBJECT, WINDOW, HOUSE, &
CITY PERCEPTIONS

1) How can the insertion of an object change a situation, and how, in turn, can a situation (a context, a scale...) change an object?

2) How do you perceive a place? How do you represent the experience of that place, through the window as a trigger?

3) Can "embryological qualities" be conveyed without embryological forms?

4) How can "hallucinations" be experienced within the city, within a particular time frame?

The following images are glimpses of each project which respectively try to tackle the above questions.


Overall, Could architecture be considered as an accumulation of fragments?
Is it by focusing on a fragment that one is in order to create a «whole»?
Or is it by focusing on the «whole» that one is able to create a fragment of architecture?


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Sensus Communis

Self Portrait- 1

If you were a building.... what building would you be?

Self Portrait- 2

If you were a room... what room would you be?

object serial n. 8:74|13:74|25:74

what's your sensation?

Time as Place- COME AT MIDNIGHT- Colarossi & Celar

HOW DO YOU PERCEIVE A PLACE? HOW DO YOU REPRESENT THE EXPERIENCE OF THAT PLACE, THROUGH A WINDOW AS THE TRIGGER?

Time as Place- COME AT MIDNIGHT- Colarossi & Celar

REPRESENTATION THROUGH PLAN OF THE SPACIAL EXPERIENCE.

MOVEMENT OF SPACES ON PLATFORM- EMBRYO^2 (Squared Embryo) HOUSE

It’s a concept which requires a very flexible person, a person which is some sort of «nomad» within his own house, wanting a fixed form of rooms, but flexible and movable way of living, with various spacial configurations, i.e: linear, central, peripheral... and each with their various implications, such from a more open to closed spaces.

33

Timeframe: 18:00-20:00 pm
Location: Pub
Question: How can "hallucinations" be experienced within the city?

Starting with the context of the street, to then enter the pub as a sort of sensorial memory.
The spinning centrifugal movement is the only constant which unifies the various fragmented perceptions of the qualities of the space.

Composed Diagram of 33 Cinematic Sequence

natural vs artificial

City of Bachelors

City of Bachelors Workshop
Jacopo A. Colarossi
Pranav Vahkaria
Sam Abillama