The archipelago constructs immediate collisions, moments of tension between artefact and event which critique Judd's proposal of a sole context for the project. Judd doesn't acknowledge the spectacle intention in his actions. His complete orchestration and doesn't negotiate its apparent fixity. In truth, the outcome of his ideology is in constant change depending on its site (conditions) and can only be experienced temporarily.
Similarly, while Warhol's work is founded on fleeting events, his superstars survived past the 15 min of fame. While the Factory was destroyed its image is permanent.